start to melt

Roth/Co. [detail] Anna Queen

Fri, 17 May 2013 22:09:48 -0400

Roth/Co. [detail]

Anna Queen

Roth/Co. Anna Queen [Piece from my Commencement Exhibition at...

Fri, 17 May 2013 22:09:10 -0400

Roth/Co.

Anna Queen

[Piece from my Commencement Exhibition at MICA, currently on view]

Photo

Tue, 14 May 2013 11:15:22 -0400

museumuesum: Brice Marden Adriatics (A), 1973, Etching with...

Tue, 14 May 2013 11:14:30 -0400

museumuesum:

Brice Marden

Adriatics (A), 1973, Etching with aquatint, 32 9/16 x 22 1/4 inches

Adriatics (B), 1973, Etching with aquatint, 32 5/8 x 22 1/4 inches

Adriatics (C), 1973, Etching with aquatint, 32 1/2 x 22 3/16 inches

Adriatics (D), 1973, Etching with aquatint, 34 3/8 x 23 7/8 inches

Adriatics (E), 1973, Etching, 34 3/8 x 23 7/8 inches

Adriatics (F), 1973, Etching, 32 9/16 x 36 3/8

Adriatics (G), 1973, Etching, 32 5/8 x 36 inches

museumuesum: Sasa Stucin analog (london), 2013 scanned color...

Mon, 13 May 2013 18:26:54 -0400

museumuesum:

Sasa Stucin

analog (london), 2013

scanned color negative

installator: “Barnett Newman’s Broken Obelisk, 1963–67, during...

Sun, 12 May 2013 01:47:39 -0400

installator:

“Barnett Newman’s Broken Obelisk, 1963–67, during installation for the show “Sculpture Downtown in Detroit,” 1969. Watching the final assembly of Broken Obelisk. Don stands next to the base, while Newman and his wife, Annalee, look on from the right side of the photo. The ropes attached to the top help guide the piece onto the junction bar.” (Paris Review)

likeafieldmouse: Carl Andre - Now Now (1967)

Sat, 11 May 2013 00:47:31 -0400

likeafieldmouse:

Carl Andre - Now Now (1967)

Photo

Sun, 05 May 2013 00:14:17 -0400

vuls: Sol Lewitt, 1974

Wed, 01 May 2013 21:16:38 -0400

vuls:

Sol Lewitt, 1974

cavetocanvas: Tony Smith, For V.T., 1969 From the Boston Museum...

Wed, 01 May 2013 20:35:56 -0400

cavetocanvas:

Tony Smith, For V.T., 1969

From the Boston Museum of Fine Arts:

An architect and teacher for most of his life, Tony Smith turned to sculpture when he was 50 years old and quickly won international acclaim for his rigorous geometric work. His bold sculptures explore ideas of scale, and of the essence of the sculptural form. This work is one of nine sculptures from his “For…” series. Conceived in the summer of 1969, the nine works were gifts for friends whose initials provided the titles.

prettycolors: #d8f9e6

Tue, 30 Apr 2013 22:39:54 -0400

prettycolors:

#d8f9e6

nicoonmars: almut500

Tue, 30 Apr 2013 22:12:31 -0400

nicoonmars:

almut500

o-s-a-k-a: Jeppe Hein

Tue, 30 Apr 2013 22:11:57 -0400

o-s-a-k-a:

Jeppe Hein

strictlybizzness: Carl Andre

Sun, 28 Apr 2013 16:59:02 -0400

strictlybizzness:

Carl Andre

sfmoma: SUBMISSION: levels and levels reexamined from...

Sun, 28 Apr 2013 16:58:15 -0400

sfmoma:

SUBMISSION:

levels and levels reexamined from the process of making series

steel, tool dip, resin, rock, aluminum, polish

Samuel Rosen, 2012

Photo

Sun, 28 Apr 2013 16:40:58 -0400

Photo

Fri, 26 Apr 2013 07:13:38 -0400

raveneuse: Franz Erhard Walther: Werkmonographie, Herausgegeben...

Fri, 26 Apr 2013 07:12:35 -0400

raveneuse:

Franz Erhard Walther: Werkmonographie, Herausgegeben von Götz Adriani, DuMont Kunst/Praxis, Cologne, 1972

ahnini: Scott LYALL, “Untitled (magnitude)” 2013

Fri, 19 Apr 2013 11:26:36 -0400

ahnini:

Scott LYALL, “Untitled (magnitude)” 2013

icancauseaconstellation: Sol LeWitt “Conceptual art is not...

Tue, 16 Apr 2013 07:47:02 -0400

icancauseaconstellation:

Sol LeWitt

“Conceptual art is not necessarily logical. The ideas need not be complex. Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable.” Artforum, 1967.